Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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BEHIND HER EYELIDS WAVES OF LIGHT MOVE IN GREEN AND RED, 2019; acrylic mirror, plywood, ball bearings, hardware, stainless steel; 48.5 x 72.5 inches. Photo: Pierre Le Hors
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Camouflage, 2019; acrylic mirror, plywood, ball bearings, hardware, stainless steel; 48.5 x 72.5 inches. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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IN THE REGION WHERE HE LIVED THERE WERE NO PLANTS AT ALL, 2019; acrylic mirror, plywood, ball bearings, hardware, stainless steel; 48.5 x 72.5 inches. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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Installation view: Davina Semo, All The World, Marlborough Contemporary, NY, 10 January - 16 February 2019. Photo: Pierre Le Hors
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SHE BECAME VERY SENSITIVE TO THE TASTE OF WATER FROM THE TAP, 2019; acrylic mirror, plywood, ball bearings, hardware, stainless steel; 48.5 x 72.5 inches. Photo: Pierre Le Hors
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SHE CAN SQUEEZE HIS HAND WHILE PEOPLE ASK HER QUESTIONS ABOUT THE FUTURE, 2019; patinated cast bronze bell, whipped nylon line, wooden clapper, powder-coated chain, aluminum bale (5/6XXX), hardware; bell, 32 x 13 in. diameter / 81.3 x 33 cm diameter, bale, 30 x 65 x 42 in. / 76.2 x 165.1 x 106.7 cm, overall dimensions variable. Photo: Pierre Le Hors
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Amoeba, 2019; acrylic mirror, plywood, ball bearings, hardware, stainless steel; 48.5 x 72.5 inches. Photo: Pierre Le Hors
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